Women who suffer from, Iranian artist Afarin Sajedi, have red eyes and shiny who wept and mouth slightly open who wants to say something. But they also have a proud and determined look who is going through the pain and try to recover by their own efforts.

Often the condition of the woman is desperate not only to the conditions imposed by the society (knows something the author) but also for the internal conflicts that must constantly face.

The subjects of oil paintings of Afarin Sajedi are all women, but unlike other artists that, as she, want to tell women, portrays not only young and beautiful girls from the pale skin and the languid look.

In most cases the women did not have a definite age, but they don't seem to young girls in the flower of youth, they haven't perfect smooth skin, but the tangible signs of suffering and reflection.

Afarin Sajedi, Iranian artist class '79, paints the face of women who live with constant feelings contrasts, the pain and joy represented by bright colours and shiny. She's inspired by the painting Gustav Klimt and choose red as the dominant colour of her artistic production. Red is a color violent and deep and arouses emotions.

What you should look at are the eyes and the lips of these women. Eyes, sometimes covered symbolizing the sense of self-censorship and parted lips as in the act of saying something, to express a thought.

 

Women who suffer from Afarin Sajedi

Le donne che soffrono Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi Le donne che soffrono di Afarin Sajedi

Visit homepage of Afarin Sajedi to see all her works.

About The Author

Valentina

Hello Valentina here, art director, bloggers and tea lover. I like to discover new things and love the creativity in all forms, seeking creative ideas and resources for my work and I am convinced that you are so. Am I wrong?

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